Page 225 of 402 CHAPTER VII. WHY SHOULD A GOLD PIECE LOWER ITSELF BY MIXING WITH - The Man Who Laughs

CHAPTER VII. WHY SHOULD A GOLD PIECE LOWER ITSELF BY MIXING WITH A HEAP OF PENNIES?

An event happened.

The Tadcaster Inn became more and more a furnace of joy and laughter. Never was there more resonant gaiety. The landlord and his boy were become insufficient to draw the ale, stout, and porter. In the evening in the lower room, with its windows all aglow, there was not a vacant table. They sang, they shouted; the great old hearth, vaulted like an oven, with its iron bars piled with coals, shone out brightly. It was like a house of fire and noise.

In the yard--that is to say, in the theatre--the crowd was greater still.

Crowds as great as the suburb of Southwark could supply so thronged the performances of "Chaos Vanquished" that directly the curtain was raised--that is to say, the platform of the Green Box was lowered--every place was filled. The windows were alive with spectators, the balcony was crammed. Not a single paving-stone in the paved yard was to be seen. It seemed paved with faces.

Only the compartment for the nobility remained empty.

There was thus a space in the centre of the balcony, a black hole, called in metaphorical slang, an oven. No one there. Crowds everywhere except in that one spot.

One evening it was occupied.

It was on a Saturday, a day on which the English make all haste to amuse themselves before the _ennui_ of Sunday. The hall was full.

We say _hall_. Shakespeare for a long time had to use the yard of an inn for a theatre, and he called it _hall_.

Just as the curtain rose on the prologue of "Chaos Vanquished," with Ursus, Homo, and Gwynplaine on the stage, Ursus, from habit, cast a look at the audience, and felt a sensation.

The compartment for the nobility was occupied. A lady was sitting alone in the middle of the box, on the Utrecht velvet arm-chair. She was alone, and she filled the box. Certain beings seem to give out light. This lady, like Dea, had a light in herself, but a light of a different character.

Dea was pale, this lady was pink. Dea was the twilight, this lady, Aurora. Dea was beautiful, this lady was superb. Dea was innocence, candour, fairness, alabaster--this woman was of the purple, and one felt that she did not fear the blush. Her irradiation overflowed the box, she sat in the midst of it, immovable, in the spreading majesty of an idol.

Amidst the sordid crowd she shone out grandly, as with the radiance of a carbuncle. She inundated it with so much light that she drowned it in shadow, and all the mean faces in it underwent eclipse. Her splendour blotted out all else.

Every eye was turned towards her.

Tom-Jim-Jack was in the crowd. He was lost like the rest in the nimbus of this dazzling creature.

The lady at first absorbed the whole attention of the public, who had crowded to the performance, thus somewhat diminishing the opening effects of "Chaos Vanquished."

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