Page 51 of 199 CHAPTER IX - The Little Lady of the Big House

"Besides, I was a mere youngster," Graham added. "Though that meant nothing much. There was a young German tackled it at the same time I did, with a tenth of my capital. He hung it out, lean years, dry years, and all. He's rated in seven figures now."

They turned their horses back for the Big House. Dick flirted his wrist to see his watch.

"Lots of time," he assured his guest. "I'm glad you saw those yearlings. There was one reason why that young German stuck it out. He had to. You had your father's money to fall back on, and, I imagine not only that your feet itched, but that your chief weakness lay in that you could afford to solace the itching."

"Over there are the fish ponds," Dick said, indicating with a nod of
his head to the right an invisible area beyond the lilacs. "You'll have plenty of opportunity to catch a mess of trout, or bass, or even catfish. You see, I'm a miser. I love to make things work. There may be a justification for the eight-hour labor day, but I make the work- day of water just twenty-four hours' long. The ponds are in series, according to the nature of the fish. But the water starts working up in the mountains. It irrigates a score of mountain meadows before it makes the plunge and is clarified to crystal clearness in the next few rugged miles; and at the plunge from the highlands it generates half the power and all the lighting used on the ranch. Then it sub- irrigates lower levels, flows in here to the fish ponds, and runs out and irrigates miles of alfalfa farther on. And, believe me, if by that time it hadn't reached the flat of the Sacramento, I'd be pumping out the drainage for more irrigation."

"Man, man," Graham laughed, "you could make a poem on the wonder of water. I've met fire-worshipers, but you're the first real water- worshiper I've ever encountered. And you're no desert-dweller, either. You live in a land of water--pardon the bull--but, as I was saying..."

Graham never completed his thought. From the right, not far away, came the unmistakable ring of shod hoofs on concrete, followed by a mighty splash and an outburst of women's cries and laughter. Quickly the cries turned to alarm, accompanied by the sounds of a prodigious splashing and floundering as of some huge, drowning beast. Dick bent his head and leaped his horse through the lilacs, Graham, on Altadena, followed at his heels. They emerged in a blaze of sunshine, on an open space among the trees, and Graham came upon as unexpected a picture as he had ever chanced upon in his life.

Tree-surrounded, the heart of the open space was a tank, four-sided of concrete. The upper end of the tank, full width, was a broad spillway, sheened with an inch of smooth-slipping water. The sides were perpendicular. The lower end, roughly corrugated, sloped out gently to solid footing. Here, in distress that was consternation, and in fear that was panic, excitedly bobbed up and down a cowboy in bearskin chaps, vacuously repeating the exclamation, "Oh God! Oh God!"--the first division of it rising in inflection, the second division inflected fallingly with despair. On the edge of the farther side, facing him, in bathing suits, legs dangling toward the water, sat three terrified nymphs.

		People sometimes inquire what form of government is most suitable for an artist to live under. To this question there is only one answer. The form of government that is most suitable to the artist is no government at all. Oscar Wilde