Page 21 of 56 GOOD-BYE, JACK - The House of Pride, and Other Tales of Hawaii

GOOD-BYE, JACK

Hawaii is a queer place. Everything socially is what I may call topsy-turvy. Not but what things are correct. They are almost too much so. But still things are sort of upside down. The most ultra- exclusive set there is the "Missionary Crowd." It comes with rather a shock to learn that in Hawaii the obscure martyrdom-seeking missionary sits at the head of the table of the moneyed aristocracy. But it is true. The humble New Englanders who came out in the third decade of the nineteenth century, came for the lofty purpose of teaching the kanakas the true religion, the worship of the one only genuine and undeniable God. So well did they succeed in this, and also in civilizing the kanaka, that by the second or third generation he was practically extinct. This being the fruit of the seed of the Gospel, the fruit of the seed of the missionaries (the sons and the grandsons) was the possession of the islands themselves,--of the land, the ports, the town sites, and the sugar plantations: The missionary who came to give the bread of life remained to gobble up the whole heathen feast.

But that is not the Hawaiian queerness I started out to tell. Only one cannot speak of things Hawaiian without mentioning the missionaries. There is Jack Kersdale, the man I wanted to tell about; he came of missionary stock. That is, on his grandmother's side. His grandfather was old Benjamin Kersdale, a Yankee trader, who got his start for a million in the old days by selling cheap whiskey and square-face gin. There's another queer thing. The old missionaries and old traders were mortal enemies. You see, their interests conflicted. But their children made it up by intermarrying and dividing the island between them.

Life in Hawaii is a song. That's the way Stoddard put it in his "Hawaii Noi":-

"Thy life is music--Fate the notes prolong!
Each isle a stanza, and the whole a song."

And he was right. Flesh is golden there. The native women are sun- ripe Junos, the native men bronzed Apollos. They sing, and dance, and all are flower-bejewelled and flower-crowned. And, outside the rigid "Missionary Crowd," the white men yield to the climate and the sun, and no matter how busy they may be, are prone to dance and sing and wear flowers behind their ears and in their hair. Jack Kersdale was one of these fellows. He was one of the busiest men I ever met. He was a several-times millionaire. He was a sugar-king, a coffee planter, a rubber pioneer, a cattle rancher, and a promoter of three out of every four new enterprises launched in the islands. He was a society man, a club man, a yachtsman, a bachelor, and withal as handsome a man as was ever doted upon by mammas with marriageable daughters. Incidentally, he had finished his education at Yale, and his head was crammed fuller with vital statistics and scholarly information concerning Hawaii Nei than any other islander I ever encountered. He turned off an immense amount of work, and he sang and danced and put flowers in his hair as immensely as any of the idlers.

		"Evil is unspectacular and always human, and shares our bed and eats at our own table." Wystan Hugh Auden