Page 2 of 144 PHILOSOPHY OF FURNITURE - The Works of Edgar Allan Poe V. 5

To speak less abstractly. In England, for example, no mere parade of
costly appurtenances would be so likely as with us, to create an impression of the beautiful in respect to the appurtenances themselves - or of taste as regards the proprietor: - this for the reason, first, that wealth is not, in England, the loftiest object of ambition as constituting a nobility; and secondly, that there, the true nobility of blood, confining itself within the strict limits of legitimate taste, rather avoids than affects that mere costliness in which a _parvenu _rivalry may at any time be successfully attempted.

The people _will _imitate the nobles, and the result is a thorough
diffusion of the proper feeling. But in America, the coins current being the sole arms of the aristocracy, their display may be said, in general, to be the sole means of the aristocratic distinction; and the populace, looking always upward for models,,are insensibly led to confound the two entirely separate ideas of magnificence and beauty. In short, the cost of an article of furniture has at length come to be, with us, nearly the sole test of its merit in a decorative point of view - and this test, once established, has led the way to many analogous errors, readily traceable to the one primitive folly.

There could be nothing more directly offensive to the eye of an artist
than the interior of what is termed in the United States - that is to say, in Appallachia - a well-furnished apartment. Its most usual defect is a want of keeping. We speak of the keeping of a room as we would of the keeping of a picture - for both the picture and the room are amenable to those undeviating principles which regulate all varieties of art; and very nearly the same laws by which we decide on the higher merits of a painting, suffice for decision on the adjustment of a chamber.

A want of keeping is observable sometimes in the character of the
several pieces of furniture, but generally in their colours or modes of adaptation to use _Very _often the eye is offended by their inartistic arrangement. Straight lines are too prevalent - too uninterruptedly continued - or clumsily interrupted at right angles. If curved lines occur, they are repeated into unpleasant uniformity. By undue precision, the appearance of many a fine apartment is utterly spoiled.

Curtains are rarely well disposed, or well chosen in respect to other
decorations. With formal furniture, curtains are out of place; and an extensive volume of drapery of any kind is, under any circumstance, irreconcilable with good taste - the proper quantum, as well as the proper adjustment, depending upon the character of the general effect.

Carpets are better understood of late than of ancient days, but we
still very frequently err in their patterns and colours. The soul of the apartment is the carpet. From it are deduced not only the hues but the forms of all objects incumbent. A judge at common law may be an ordinary man; a good judge of a carpet _must be _a genius. Yet we have heard discoursing of carpets, with the air "_d'un mouton qui reve," _fellows who should not and who could not be entrusted with the management of their own _moustaches. _Every one knows that a large floor _may _have a covering of large figures, and that a small one must have a covering of small - yet this is not all the knowledge in the world. As regards texture, the Saxony is alone admissible. Brussels is the preterpluperfect tense of fashion, and Turkey is taste in its dying agonies. Touching pattern - a carpet should _not _be bedizzened out like a Riccaree Indian - all red chalk, yellow ochre, and cock's feathers. In brief - distinct grounds, and vivid circular or cycloid figures, _of no meaning, _are here Median laws. The abomination of flowers, or representations of well-known objects of any kind, should not be endured within the limits of Christendom. Indeed, whether on carpets, or curtains, or tapestry, or ottoman coverings, all upholstery of this nature should be rigidly Arabesque. As for those antique floor-cloth & still occasionally seen in the dwellings of the rabble - cloths of huge, sprawling, and radiating devises, stripe-interspersed, and glorious with all hues, among which no ground is intelligible-these are but the wicked invention of a race of time-servers and money-lovers - children of Baal and worshippers of Mammon - Benthams, who, to spare thought and economize fancy, first cruelly invented the Kaleidoscope, and then established joint-stock companies to twirl it by steam.

		"Take a method and try it. If it fails, admit it frankly, and try another. But by all means, try something." Franklin Delano Roosevelt