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Page 134 of 172
THE COLLOQUY OF MONOS AND UNA - Complete Poetical Works
yet left him half enveloped in dreams--so to me, in the strict embrace
of the _Shadow_, came _that_ light which alone might have had power to
startle--the light of enduring _Love_. Men toiled at the grave in
which I lay darkling. They upthrew the damp earth. Upon my mouldering
bones there descended the coffin of Una. And now again all was void.
That nebulous light had been extinguished. That feeble thrill had
vibrated itself into quiescence. Many _lustra_ had supervened. Dust
had returned to dust. The worm had food no more. The sense of being
had at length utterly departed, and there reigned in its stead--
instead of all things, dominant and perpetual--the autocrats _Place_
and _Time._ For _that_ which _was not_--for that which had no
form--for that which had no thought--for that which had no
sentience--for that which was soundless, yet of which matter formed no
portion--for all this nothingness, yet for all this immortality, the
grave was still a home, and the corrosive hours, co-mates.
[Footnote 1:
"It will be hard to discover a better [method of education] than that
which the experience of so many ages has already discovered; and this
may be summed up as consisting in gymnastics for the body, and
_music_ for the soul."
Repub. lib. 2.
"For this reason is a musical education most essential; since it
causes Rhythm and Harmony to penetrate most intimately into the soul,
taking the strongest hold upon it, filling it with _beauty_ and making
the man _beautiful-minded_. ... He will praise and admire _the
beautiful_, will receive it with joy into his soul, will feed upon it,
and _assimilate his own condition with it_."
Ibid. lib. 3. Music had, however, among the Athenians, a far more comprehensive signification than with us. It included not only the harmonies of time and of tune, but the poetic diction, sentiment and creation, each in its widest sense. The study of _music_ was with them, in fact, the general cultivation of the taste--of that which recognizes the beautiful--in contradistinction from reason, which deals only with the true.]
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