Page 90 of 147 SPEECH: LONDON, NOVEMBER 2, 1867. - Speeches: Literary and Social

SPEECH: LONDON, NOVEMBER 2, 1867.

[On Saturday evening, November 2, 1867, a grand complimentary farewell dinner was given to Mr. Dickens at the Freemasons' Tavern on the occasion of his revisiting the United States of America. Lord Lytton officiated as chairman, and proposed as a toast--"A Prosperous Voyage, Health, and Long Life to our Illustrious Guest and Countryman, Charles Dickens". The toast was drunk with all the honours, and one cheer more. Mr. Dickens then rose, and spoke as follows:]

No thanks that I can offer you can express my sense of my reception by this great assemblage, or can in the least suggest to you how deep the glowing words of my friend the chairman, and your acceptance of them, have sunk into my heart. But both combined have so greatly shaken the composure which I am used to command before an audience, that I hope you may observe in me some traces of an eloquence more expressive than the richest words. To say that I am fervently grateful to you is to say nothing; to say that I can never forget this beautiful sight, is to say nothing; to say that it brings upon me a rush of emotion not only in the present, but in the thought of its remembrance in the future by those who are dearest to me, is to say nothing; but to feel all this for the moment, even almost to pain, is very much indeed. Mercutio says of the wound in his breast, dealt him by the hand of a foe, that-- "'Tis not so deep as a well, nor so wide as a church door; but 'tis enough, 'twill serve." {15} I may say of the wound in my breast, newly dealt to me by the hands of my friends, that it is deeper than the soundless sea, and wider than the whole Catholic Church. I may safely add that it has for the moment almost stricken me dumb. I should be more than human, and I assure you I am very human indeed, if I could look around upon this brilliant representative company and not feel greatly thrilled and stirred by the presence of so many brother artists, not only in literature, but also in the sister arts, especially painting, among whose professors living and unhappily dead, are many of my oldest and best friends. I hope that I may, without presumption, regard this thronging of my brothers around me as a testimony on their part that they believe that the cause of art generally has been safe in my keeping, and that it has never been falsely dealt with by me. Your resounding cheers just now would have been but so many cruel reproaches to me if I could not here declare that, from the earliest days of my career down to this proud night, I have always tried to be true to my calling. Never unduly to assert it, on the one hand, and never, on any pretence or consideration, to permit it to be patronized in my person, has been the steady endeavour of my life; and I have occasionally been vain enough to hope that I may leave its social position in England better than I found it. Similarly, and equally I hope without presumption, I trust that I may take this general representation of the public here, through so many orders, pursuits, and degrees, as a token that the public believe that, with a host of imperfections and shortcomings on my head, I have as a writer, in my soul and conscience, tried to be as true to them as they have ever been true to me. And here, in reference to the inner circle of the arts and the outer circle of the public, I feel it a duty to-night to offer two remarks. I have in my duty at odd times heard a great deal about literary sets and cliques, and coteries and barriers; about keeping this man up, and keeping that man down; about sworn disciples and sworn unbelievers, and mutual admiration societies, and I know not what other dragons in the upward path. I began to tread it when I was very young, without influence, without money, without companion, introducer, or adviser, and I am bound to put in evidence in this place that I never lighted on these dragons yet. So have I heard in my day, at divers other odd times, much generally to the effect that the English people have little or no love of art for its own sake, and that they do not greatly care to acknowledge or do honour to the artist. My own experience has uniformly been exactly the reverse. I can say that of my countrymen, though I cannot say that of my country.

		"The happiness is not in living, but in knowing how to live." Diego de Saavedra Fajardo