Page 631 of 664 CHAPTER 59. Retribution - Dombey and Son

Here this exemplary female, who has pumped up so much fortitude and virtue from the depths of the Peruvian mines, rises from her cushioned property to see Mrs Chick to the door. Mrs Chick, deploring to the last the peculiar character of her brother, noiselessly retires, much occupied with her own sagacity and clearness of head.

In the dusk of the evening Mr Toodle, being off duty, arrives with Polly and a box, and leaves them, with a sounding kiss, in the hall of the empty house, the retired character of which affects Mr Toodle's spirits strongly.

'I tell you what, Polly, me dear,' says Mr Toodle, 'being now an ingine-driver, and well to do in the world, I shouldn't allow of your coming here, to be made dull-like, if it warn't for favours past. But favours past, Polly, is never to be forgot. To them which is in adversity, besides, your face is a cord'l. So let's have another kiss on it, my dear. You wish no better than to do a right act, I know; and my views is, that it's right and dutiful to do this. Good-night, Polly!'

Mrs Pipchin by this time looms dark in her black bombazeen skirts, black bonnet, and shawl; and has her personal property packed up; and has her chair (late a favourite chair of Mr Dombey's and the dead bargain of the sale) ready near the street door; and is only waiting for a fly-van, going to-night to Brighton on private service, which is to call for her, by private contract, and convey her home.

Presently it comes. Mrs Pipchin's wardrobe being handed in and stowed away, Mrs Pipchin's chair is next handed in, and placed in a convenient corner among certain trusses of hay; it being the intention of the amiable woman to occupy the chair during her journey. Mrs Pipchin herself is next handed in, and grimly takes her seat. There is a snaky gleam in her hard grey eye, as of anticipated rounds of buttered toast, relays of hot chops, worryings and quellings of young children, sharp snappings at poor Berry, and all the other delights of her Ogress's castle. Mrs Pipchin almost laughs as the fly-van drives off, and she composes her black bombazeen skirts, and settles herself among the cushions of her easy chair.

The house is such a ruin that the rats have fled, and there is not one left.

But Polly, though alone in the deserted mansion - for there is no companionship in the shut-up rooms in which its late master hides his head - is not alone long. It is night; and she is sitting at work in the housekeeper's room, trying to forget what a lonely house it is, and what a history belongs to it; when there is a knock at the hall door, as loud sounding as any knock can be, striking into such an empty place. Opening it, she returns across the echoing hall, accompanied by a female figure in a close black bonnet. It is Miss Tox, and Miss Tox's eyes are red.

'Oh, Polly,' says Miss Tox, 'when I looked in to have a little lesson with the children just now, I got the message that you left for me; and as soon as I could recover my spirits at all, I came on after you. Is there no one here but you?'

		The advantage of the emotions is that they lead us astray. Oscar Wilde